Monday, June 8, 2020

Unsatisfied, fiction by William Boyle

previously appeared in WAITING TO BE FORGOTTEN: STORIES OF CRIME AND HEARTBREAK INSPIRED BY THE REPLACEMENTS

Alley behind Forkrum’s. Temple sits in Mag’s Civic with the flip phone lit up in her lap; she’s been pressing buttons just to have something to do. Call Mag or don’t? She digs around in the cup holder and finds a quarter and flips it. Heads—what’s that mean? Call, she guesses. She dials the number and waits.

“Yeah?” Mag says, picking up after one ring.

“It’s me,” Temple says.

“You didn’t do it yet?”

“I didn’t do it.”

“You’re what, scared?”

“I don’t know.”

“Just put on the mask and go in. I’m telling you. It’s cake.”

“I mean, what if Forkrum—”

Mag cuts her off. “Forget it. Just go.”

Temple nods.

“You’re nodding, right?” Mag says. “I can’t see you.”

“I’m nodding.”

Temple reaches across and opens the glovebox. The ski mask is there. Traffic cone orange. Mag picked it for her at Dick’s Sporting Goods. She takes it out and bunches it up in her hand.

“You still there?” Mag says.

Temple nods again.

“You’re nodding, right?”

“I’m nodding.”

“It’s just fucking Forkrum.”

“What if he recognizes me?”

“We’ll be in Buffalo tonight.”

Temple says, “Okay, okay. Cool.” She closes the phone and puts it up on the dash. She pulls the mask on over her head and adjusts the eyeholes. Her heart is thumping. She’s always been told she’s tall but she feels little, so little that the steering wheel seems dumbly huge in front of her. Her hands are shaking like she’s chased eight coffees with caffeine pills. Last time she felt like this was driving back to New Paltz after her first night tossing some drunk in an alley with Mag in Kingston. Maybe the shaking’s more intense now. This, after all, is Forkrum. She’s known him since college. He opened up this record store on East Chester Street a couple of years back and she’d come in to browse pretty often around closing and find him counting out the register. She told Mag—mentioned it offhand—that he had at least a couple of grand in the drawer last time and it was crazy how easy it would be to hit him for that. She said she was surprised it hadn’t happened already, Kingston junkies on the loose the way they were. And then that big bright lightbulb had gone off over Mag’s head. She didn’t say anything straightaway, but Temple could sense what she was thinking. Mag had been talking about scoring more than some drunk’s pocket change for months. She’d been dreaming of getting back to Buffalo, where she’d gone to school the first time, and moving into her pal Sally’s guesthouse on the cheap. Dreams were one thing with Mag; action was another. After a while, though, Mag pitched the idea to hit the record store, saying it would have to be Temple since she knew the place inside out.

And so here she is. Seven years ago in a sociology class at New Paltz, Forkrum across the aisle from her, and now in this alley behind his store with a traffic cone orange ski mask on. Mag said the mask was enough, but what about her body and her voice? That’s why she’s wearing her grandfather’s old Army jacket, one thing her dumb mother held onto, so baggy that it’s swallowing her up. And she’s practiced deepening her voice and walking on the balls of her feet so Forkrum might tell the cops that the person who stuck up the store had a funny walk and sounded gruff.

Mag had wanted her to bring a gun, some piece of junk she’d gotten at Podsie’s in Poughkeepsie for a song, but Temple wasn’t having it. Instead, she’s brought along the stun gun her ex-girlfriend Alexa bought on Amazon for her birthday senior year of college when they were hanging out at Rolling Thunder a lot and kept getting hassled by some bikers in the parking lot. Temple’s idea was that just showing the thing to Forkrum would scare him shitless. But she’s used it and knows the current and zap can put fear in someone real quick. Worst case scenario: she has to hit him with it. That happens, he’ll be fine once the temporary paralysis wears off, even have a scary little story to tell his drinking buddies.

She gets out of the car. The stun gun is in her pocket. So are a pair of purple surgical gloves she’s rolled up and stuffed in there. She puts the gloves on and takes a deep breath and tries to calm down.

The alley is a blessing. Dead quiet. The building nearby used to be a bagel joint; it’s abandoned now, weeds grown up the walls and over the windows. She knows Forkrum leaves the side door open and brings boxes out to the dumpster as he gets deliveries. She also knows there are no deliveries today because it’s Sunday and almost closing time.

She stays close to the wall and hooks the door handle with her thumb. It squeaks a little as she opens it but that doesn’t matter because Forkrum has music blasting inside. 

She’s thinking, Mag should be doing this.

She’s thinking, Neither of us should be doing this. It’s Forkrum. 

She’s thinking, It’ll be over quick. Then back to Mag’s. Then Buffalo. Maybe things’ll be better there. Maybe I’ll be able to break away from all my bad habits. Maybe Mag will too. Really.     

Inside. She sees Forkrum before he sees her. He’s singing along to whatever’s on the stereo and punching his finger against an iPad, his glasses low on his nose, his cap off. She hasn’t seen him without a cap on since college. He’s almost all-the-way-bald.

She takes out the stun gun and turns it over in her hand. She holds it up and worries that it looks too much like an electric razor. 

There’s no one else in the store.

Forkrum notices her then—she’s only half-hidden behind the doorframe to the storage room—and starts making a noise that’s something like a fox’s scream, loud even pushing against the music.

Temple is startled and almost drops the stun gun.

Forkrum stops, catches his breath, and screams again.

“Hands up,” Temple says in her best guy voice. She knows there’s an alarm unit on the wall but this isn’t a bank—there’s no panic button under the counter.

Forkrum puts his hands up. “Yeah, sure. Don’t hurt me.”

“Just give me what’s in the register and I’ll be out of here in a minute,” Temple says.

“What?”

“Turn down the music!”

He keeps his hands up and goes over to the stereo. He lowers one hand and nudges the knob until the music is a whisper.

“Give me what’s in the register and I’ll be gone,” Temple says.

Forkrum just looks at her.

Temple goes over to the counter—he’s still on the other side, both hands back up, and she’s totally fucking spaced on her funny walk—and flashes the stun gun at him. He looks confounded by it; maybe he’s never seen one. She decides to show it off. The sound and light are enough to get him screaming again. “Jesus, be quiet,” she says.

His scream slows to a whimper. “I have asthma,” he says.

“Okay,” she says. “Just get the money.” Her voice is wavering now. Deep and then less deep. She didn’t expect so much talk.

He shuffles to the register and keys open the drawer and starts pulling out wads of bills. Big stacks of twenties and tens Less on the fives and ones, but that’s okay. Gotta be at least two grand. Maybe more. He fumbles the money and drops some on the floor.

“Get it all,” she says.

He leans over and picks up what he’s dropped. “You want the change too?” he says.

“Sure, why not? Put it all in a bag.”

Shaking, he grabs a record-sized brown bag and drops the cash in and then he starts emptying the coins in slot by slot. Stupid to wait for the change but every penny counts. If she was really smart, she’d grab some rare records off the wall and sell them on eBay, but she doesn’t have time to be discerning and she’d have to go to the library to get online.

He hands the bag across to her, squinting, still whimpering. He looks dumpier than he’s ever looked. He’s wearing an XL T-shirt with the store logo on it: a sloth hanging from a tree branch. She feels bad for him. “I’m sorry,” she says. “And thanks.” As if this was just another transaction.

“Natalie?” he says.

No one calls her Natalie anymore. Not since college. Mag renamed her Temple. She’s stuck in place. She knows she should forget it and get out of the store. She knows it doesn’t matter. The chance was there. Maybe it’s better this way. Maybe Forkrum will just figure she’s desperate and chalk the money up as a loss. As a donation. Keep the cops out of it. But she stays still.

Forkrum’s breath has slowed. He doesn’t seem scared anymore. “You could’ve just asked me,” he says. “I would’ve given you whatever you needed.” He pauses. “Mag put you up to this, right?”

Now it’s Temple who’s panting.

“It’s okay,” Forkrum says. “Just take off your mask. Let’s talk.”

Temple doesn’t think taking off her mask will help. She holds up the stun gun and shows Forkrum how it works again. Zap. “This thing is real. Like seventeen million volts or something,” she says in her regular voice.

Forkrum doesn’t scream this time. “Natalie,” he says. “Come on. Give it up. This is what you want? This isn’t you. It’s Mag.”

“Fuck you,” she says, biting her lip. Forkrum’s always been such a nice guy. He’s always been nice to her. He’d take her over to Village Pizza every Friday sophomore and junior year. He’d ask what growing up in Newburgh was like, even though he was from Monroe originally and knew what a hellhole Newburgh was. He was reading dumb shit in his English classes and wanted to talk about it. He wore a black trench coat and some weird glinty class ring. Sometimes he painted houses; two or three times, she’d accompanied him and he’d let her work on a window frame while they listened to mixes he’d made.

He reaches out for her. She knows what he’s doing—he’s going for the mask. He’s guessing he gets that off and they see each other face to face, she’ll let go of the charade and crumble to the floor in tears. But she knows she’s harder than that. She’s always been hard; Mag’s just taught her to be vicious. She snaps the stun gun at him and hits him in the neck with it. The sound seems bigger, worse. He goes down howling, holding his neck. He’s spinning, saying fuck fuck fuck, maybe crying.

“I’m sorry,” Temple says. She drops the stun gun in her gaping pocket and puts the bag of money under her arm. It feels like forever skittering though the store and back out the side door.

Soon she’s sitting in the Civic and pulling off her mask and breathing so hard her chest hurts. She feels like a sinking city. She keys the ignition and thinks of poor Forkrum on the floor, writhing around like some damaged animal. The bag of money is on her lap; she’s keeping it close. She’s about to shift into reverse, but she keeps imagining Forkrum like that and wants to go back. She’s thinking of all the times he brought her coffee in the computer lab on campus. She’s thinking of mixes he made for her. She should’ve done this to a stranger, not Forkrum.   

Fuck it.

She throws the car in reverse and backs out of the alley. Mag is waiting for her. Mag will be happy, that kind of big shivery happiness that only happens when they score. They’ll hit the road. Buffalo’s nobody’s dream, and she likes that. Everyone trying to get out of Buffalo and them holding onto it as some magical place to escape to.

The whole drive home on Route 32, she’s feels jolts in her legs. She’s worried about getting pulled over. She’s doing forty, a couple of cars tailing her close, and she keeps thinking she sees cops lurking on every side road.

She pulls into the gravelly parking lot of Muffs, a strip club where Alexa used to work. She catches her breath and stares at the sign, a woman in high heels and a bikini holding onto the stem of a giant cocktail glass. Alexa had bad times there.   

She picks up her phone—still, somehow, balanced perilously on the dash—and calls Mag.

“It’s done?” Mag says.

“It’s done,” Temple says.

“So why are you calling?”

“I don’t know. I’m nervous. You should’ve come with me—at least to drive.”

“You’re fine. Deep breaths. How far are you?”

“I’m in the parking lot of that strip club.”

“Not that much further. Keep cool.”

Mag’s place is on Church Street in New Paltz next to a rooming house. A dive. The front steps rotten, the ceiling in the bedroom caving in from a leak. Temple doesn’t have her own place anymore. For a while, between apartments, she crashed on couches. And then she spent a couple of weeks at the hostel in town. She stayed with Mag the first night they met at Snug’s and has been with her every night since.

She gets the car going again and continues on carefully, as if she’s taking a driving test.

Back in New Paltz, she turns onto Church and parks on the street outside Mag’s. She runs in with the bag under her arm, skipping over the rottenest step. Mag is sitting at the kitchen table with a pack of yellow American Spirits, cherry-ashing a cigarette in a lidless butter dish.

Temple smiles at her.

“How much?” Mag says.

“About what we guessed,” Temple says, emptying the contents of the bag on the table. The coins scatter everywhere.

Mag’s blue eyes go bright. And there’s that smile, the one that makes it worth it, the one that pushes poor Forkrum out of Temple’s head. “You did awesome,” Mag says.

“I’m happy now,” Temple says, sliding onto Mag’s lap.

They kiss. Mag’s hair is dirty and dread-clumped. She tastes like beer and cigarettes. Her forearms are bruised.

“Buffalo,” Mag says.

“Motherfucking Buffalo,” Temple says. “Now? Let’s just go.”

“Okay,” Mag says, that smile shifting into something else. She scooches Temple off of her and relights her cigarette. “Okay,” she says again.

Temple scans the room. It doesn’t look like Mag’s been packing. Not that there’s much to take. “Forkrum’s okay,” Temple says.

“What?” Mag says, dragging deep, bunching her forehead.

“Forkrum will be fine. I think.”

“Good. The Taser—or whatever—was a good call.”

“You didn’t pack?”

“I’m not bringing anything. We’ll stop at a Target and get some new clothes. And we’ll hit the beer distributor for smokes. The rest of this shit, we’ll leave for the landlord.” She pauses, thumbs through a stack of twenties in front of her. “I was thinking. We get to Buffalo, you should grow your hair out. I’ve never seen you with long hair.”

“I hate long hair on me.”

Mag stubs out her cigarette in the butter dish.

Temple has some things she doesn’t want to leave behind—jeans and shirts from the Salvation Army, a drawer full of bras and underwear she shoplifted from Ames when it was still around, a box of paperbacks from the library sale. She goes in and gets them together. Takes her maybe three minutes.

Mag says, “You’re bringing all that shit?”

Temple laughs. “It’s hardly anything.”

“Let’s start fresh.” Mag stuffs the cash back in the bag and pushes the coins into a pile. “Clean slate. Doesn’t appeal to you? Just us and the car.”

Temple half-nods.

“That’s a yes, right?” Mag says.

“Sure, I guess.” 

“Let’s go to Snug’s for a drink to celebrate.”

“Mag, no.”

Mag grew up rich. She doesn’t know Temple knows; it’s something that took time to piece together. Mag likes to play poor—and she is now, her family having disowned her—but she’s still got the recklessness of a rich kid. Which means lack of planning. Which means expecting things to pan out even when hope’s only a pinprick in the distance. What she does, she does for kicks. Everything’s kicks.

Temple didn’t grow up rich. She grew up hard. Alkie-whore mom. Her father a ghost. Newburgh schools like prisons. Drugs and booze took her early and then she righted the ship for college, worked herself through, and then she was done, no prospects, and there was Mag, all put-on desperation, so beautifully destitute. Temple’s desperation is more immediate. You live most of your life on the ropes and you start to grow hungry for the promise of anything good.

Temple always says it’s Mag who brought the bad out in her, pushing her into a world of small crimes, but for Mag it’s just like reality television. She doesn’t know about consequences. Her desires are manufactured. Taste real fear early, that’s what makes you hard. Rolling drunks and sticking up stores is nothing. Try watching your mother get dangled from a balcony by a john. Try waking up to strangers in your room. Try sleeping with a knife under your pillow at ten-years-old.   

Temple senses now that if they go to the bar, Buffalo won’t happen. They’ll blow all the money on whiskey and then the days will continue on, more wallets snatched, the ceiling in the bedroom collapsing worse, more cigarettes, back on junk in no time.

Bank on Buffalo? Sucker’s bet. In reality, Buffalo would just be more of this anyway. Might as well save on the gas money and just roll across to Snug’s. Difference between a dream and a lie only depends on how fucked up you are.

“Just a couple of rounds,” Mag says. “Maybe some pool. Izzo’s bartending.”

Temple looks out the window and starts thinking about Forkrum again. He’ll be okay, probably is already okay, but she feels somehow like she left him for dead. Her gut says call him, check in, but she won’t, she can’t. Another bridge blown to shit. Her mom in that home, dead to her. Her aunts, how they tried their best to help, and she can’t even send fucking birthday cards. All these people she keeps leaving for dead, even when they’re not dying. “Okay,” she says to Mag. “Drinks it is.”

   
AP Katie Farrell Boyle
William Boyle is the author of the novels Gravesend, Everything is Broken, The Lonely Witness, A Friend Is a Gift You Give Yourself, and City of Margins, and a story collection, Death Don’t Have No Mercy. “Unsatisfied” originally appeared in Waiting To Be Forgotten: Stories of Crime and Heartbreak, Inspired by The Replacements. His website is williammichaelboyle.com

Monday, June 1, 2020

Scapegoat, Fiction by Nick Kolakowski

I call it my stunt torso: a silicone belly and pecs filled with something gelatinous, pinned to my real body with big velcro tabs. My brother, an actor, bought it used from a stuntman on a movie set. The stuntman told him it would absorb blows from fists or a baseball bat, but anything sharp would slide right through. For tonight’s gig I’ll wear it beneath a loose sweatshirt, to hide the seams, and hope that nobody feels me up.

The client is waiting for me in a white BMW parked down the street from my apartment building. She wears a sleek pinstripe pantsuit, signaling that she has a high-powered job, and her bloodless cheeks are streaked with what’s left of her mascara, signaling a crying jag on the way here. She flicks through a puzzle game on her phone while I count the crisp twenties in the envelope she handed me. “This is too much,” I say, peeling off the extra two hundred.

Without glancing from her game, the client says: “Think of it as covering your deductible. Just in case.”

I want to tell her that my health insurance sucks, that two hundred is maybe a quarter of what I’d need to pay before coverage kicks in. A hard blow to the head, one that puts me in the emergency room with a broken skull, will cost a few thousand out-of-pocket, everything included. A couple punches to the stomach, the kind that scramble organs, might total more. That’s why I use the stunt torso. It’s too bad I can’t wear a football helmet, but that would ruin the performance.

“Doesn’t work that way,” I say, and tuck the excess money into the dashboard cup-holder. “Rule one of this job: Never deviate from the price. Makes it easier for everyone.”

“Well, do you take tips?” The game shrieks a high score.

“No.” I fold the envelope once and stuff it into my rear pocket.

“Okay, suit yourself.” Shutting off her phone, she starts the engine. “My name is Delilah, but everybody calls me Dee.”

“Neal,” I say, which is a lie. “Everybody calls me Neal.”

“Hey, Neal. I know this is just a job to you, but thanks anyway. It means a lot.”

“Sure.” I settle back and work on my breathing as she leadfoots the gas, rocketing us down narrow streets of my crumbling neighborhood. I never ask where the clients live, but we’re heading east, beyond the areas of town where you get real familiar with your living-room carpet pattern on account of diving on it every time bullets whizz through the windows. Based on her all-options sedan, and the expensive cut of her suit, I bet our final destination is the Heights, where everybody is rich enough to pay someone else to shovel their shit.

I don’t know whether it’s nerves or the stunt torso, or some combination of both, but after a mile my forehead is slick with sweat, my underwear chafing my crack. “Can you turn the air conditioning on?” I ask.

Dee twists the dial like her worst enemy’s nipple, and arctic air blasts out the vents. “Good?”

“Yeah.” I nod. “By the way, you’re supposed to fill me in. I don’t need too many details, just enough to play the role.”

“So there’s this guy, Charles. We’re at the same company, but we don’t report to each other or anything. I didn’t mean to, but we hooked up at this work event, and at first I thought it was one of those fuck-in-the-bathroom things, you know how it goes.”
Dee takes a corner at high speed. “And lo and behold, I sort of fell for the guy. So now we’re in a relationship, which would be fantastic except for, well.”

Dee takes her left hand off the wheel and waggles it so the little diamond on her engagement ring catches the light. Stacked atop the ring is a plain gold wedding band. “Rick—that’s my husband—found out about it,” she says. “We have our thumbprints programmed into each other’s phones, and he snooped in my messages. Maybe I wanted to get caught. My marriage sucks.”

“Sorry to hear that,” I say. “He hasn’t seen a photo of Charles?”

“He hasn’t seen a photo of his face, if you get my meaning. And Charles is, like, the last person on Earth not on Facebook, so Rick can’t find him that way.”

I have also forsworn all social media. Possessing any kind of public profile would make it more difficult to do this job. “Tell me about Rick’s temper,” I say.

Dee puffs air into her cheeks, exhales loudly: “What’s to tell? He’s got a bad one. He’s never hit me, or I would have walked out a long time ago, but he throws shit, yells, all that stuff. One time, we were in this bar, and this guy bumped into him. Just an accident, but he spilled Rick’s beer. Guy offers to buy him a new one, and Rick up and hits him in the chest. Lucky nobody ended up in jail over that.”

“What are his triggers?”

She laughs. “He’s really sensitive about his weight.”

Maybe Rick’s fat, I think. If he’s out of shape, that’s great.

Still giggling, she says: “And you should definitely mention his hair. He’s afraid of losing it.”

“What else?”

“Tell him he’s boring in the sack. Like I said, he’s got a lot of anger issues. It doesn’t take much.”

With gigs like this, it’s all about finding the right balance. You want everyone emotional, but not so emotional that they beat you to death on the sidewalk. On cold nights, my left knee and right elbow twinge and throb, reminding me of what happens when I’ve gotten that rule wrong.

“Good to know,” I tell Dee. The road becomes smoother, the potholes disappearing as we enter the Heights, the enormous houses on either side perfect as wedding cakes, the lawns so manicured I imagine hordes of workers cutting every individual blade of grass with tiny scissors. The sight of those million-dollar homes makes my stomach clench in a hard knot, and I pat the stunt torso for reassurance.

Dee notices my discomfort. “You don’t like it here.”

I grew up a couple blocks away, I almost tell her. This place is in my blood. Like a virus, or something that poisons you slowly. But the clients never need to know anything like that, especially when it’s almost showtime. “It’s fine,” I say, wiping my forehead.

“Look, Rick needs to get really aggressive, you understand?” Dee’s lips tighten. “And I need to film it. His lawyer sees a video like that, it’ll make this whole process a lot smoother.”

“Yeah, you said that in your email.” I sigh. “You also said he doesn’t have a gun.”

“He doesn’t.”

“Just reconfirming.”

“Got it. I’m not lying to you.”

“Okay. And if I see him with a knife, any kind of blade, I run, got that?”

“He’s an angry jackass, but he’s not a killer. Anyway, we’re here.” We pull into the driveway of a two-story McMansion, white with beige trim, and park behind a gold-colored SUV with tinted windows. As we climb out, I glimpse something on the SUV’s trailer hitch that makes me pause: a giant pair of brass balls, realistically rendered down to the veins and textured skin.

Dee follows my gaze and rolls her eyes. “Rick’s idea of a joke. Can you blame me, about the divorce?”

I shut the BMW’s door, adjust my sweatshirt, and crack my neck. I did some preventative yoga before leaving my apartment, and I feel nice and limber, ready for whatever’s coming. The envelope is a comforting presence below my tailbone, and I think about what I’ll spend my payment on, besides painkillers and bandages. I’ll tally up my rent and student loans and fast-food orders and phone bill, and maybe I’ll have a few bucks left over for a decent bottle of whiskey. I run my tongue over my teeth and think: Why bother saving for retirement? I’ll never have enough.

Dee slings her purse, as shiny and white as her car, underneath her arm, her elbow pressing it tight against her body. It has a small exterior pocket, and I spy the edge of her smartphone peeking out the top, its camera a black eye.

We are halfway up the stone path to the front door when it bursts open, framing the infamous Rick in full Suburban Barbarian mode. His faded t-shirt strains against a meat market of oversized pecs and biceps, and his square head reddens to the color of undercooked steak when he sees us. “Well,” he hisses through clenched teeth. “Bitch brought her bitch, I see. This is Charles? This is who you’re leaving me for?”

So much for my dream of Rick being flabby and floppy. The dude looks like he bench-presses rhinos for fun. His blonde hair is thick as a newscaster’s, shaped by professional hands into a camera-ready cowlick, and the sight of it makes me feel a weird sympathy for him, despite his rage and heavy fists: I would fear losing a magnificent mane like that, too.

Dee gifts him a big smile. “Rick, let’s just behave like adults, okay? This is Charles. We just want to talk.”

That’s my cue. I step forward with my hands out, palms up. “I know you’re angry, buddy.” I try out a chuckle. “I’d be angry as hell, too. Don’t blame you a bit. But we can work this out.”

Beads of sweat drip down Rick’s forehead, shiny in the light. It reminds me of something my grandfather, one of the last of the old-school miners, once told me about dynamite: if you left it sitting too long in the case, it would start to sweat like a man, unstable, a jostle away from blowing everything to hell. (Actually, that’s my only memory of him, before the state and my foster parents took me away.)

“Thought you could fuck my wife,” Rick says, marching down the steps toward us. “Thought I wouldn’t find out, huh?”

“Things just happened, man,” I say. “The heart wants what it wants.”

Rick squeezes his fists so tight I can see the tendons straining in his forearms like bridge-cables about to snap. He’s fifteen feet away and closing fast, his sneakers squeaking on the stone path. “Show you what I want, motherfucker.”

I tense my abs and say: “Dunno, man, you’re pretty soft.”

He plants his left foot and swings his right fist at my head, really telegraphing it, and I raise my hands to protect my face, already knowing his next move: a left jab to my stomach. Rick does exactly that, and I feel the blow as a wobbly vibration through the stunt torso, almost knocking me off-balance. If Rick sensed the difference between flesh and silicone, he doesn’t show it: instead, he launches a flurry of punches at my chest, driving me back across the lawn.

The stunt torso blunting the blows means I can take a breath means I can mutter: “It started as one of those fuck-in-the-bathroom things, but I think it’s love…”

I expect Rick to keep punching, maybe take another swipe at my head. Instead he opts for a sweeping kick that he no doubt saw in some action movie. I try to duck and weave, but he’s a quarter-second too quick. His foot catches me in the side, at the edge of the stunt torso, and drives the air from my lungs. My knees wobble, and I fall, trying to tuck into a ball as I hit the grass.

Through my forearms crossed over my face, I spy Dee take a position at the end of the driveway, the better for a wide-angle shot of her husband delivering a beatdown to a stranger. “Oh God,” she yells. “Oh God, Rick, stop. Please.”

Rick does not listen. In fact, the tempo of his blows speeds up, his feet slamming into the stunt torso, which can only take so much damage before my stomach begins to feel it. I can hear him muttering in time with the blows: “Show you… show you… show you…”

At moments like this, I wonder if dropping out of college was a mistake.

I could have been anything: an engineer, a software designer, a film director.

But maybe I’m helping more people this way.

After what seems like an eternity, the kicks slow, then stop. I lower my forearms. Big mistake. Rick, grinning, slams his heel into the right side of my face, and the world pops white. My mouth salty, a front tooth loose under my tongue. I groan, and Rick bends down until his lips are almost in my ear.

“That’s what you get,” he says, sounding satisfied. Offering Dee a middle finger, he turns and walks back to the house—limping a little. Maybe the thirtieth kick to my stomach sprained his ankle. Who says I can’t give as good as I get? I try to rise and the world tilts and lurches, my chin warm with blood. Dee’s hands on my elbow, helping me upright.

“I can drive you to a clinic,” she says. “Or a hospital.”

I take a deep breath that fills my lungs with napalm, but nothing pops or shifts in my chest. “Take me home,” I whisper, and opening my mouth lights a pack of matches under my tongue. “I’m okay. Just need… a little ice…”

We make it to the BMW. Buckled into the passenger seat, I take care to keep the collar of my shirt pressed against my mouth, to soak up the blood before it can stain the leather upholstery. Every turn out of the Heights sends my stomach slapping against my ribs, sparking fresh agony. I’ll make it, though. I’m a connoisseur of beatdowns; I know the nuances of bruises, the true depths of damage.

“How often you do this?” Dee asks, real concern in her voice.

I shrug. “Not that often,” I say, working the pain in my mouth like a piece of gum. “Couple times a year. Pays good, though.”

She shakes her head. “Such a weird job. How’d you get into it?”

“Life,” I say, and turn my head to the window.

Dee, taking the hint, stays quiet until we pull to the curb where she picked me up. Then she almost ruins everything by plucking the overpayment from the cup-holder and trying to force it into my hand. I swat it away. “No,” I say, opening the door. 

“Wait,” Dee asks.

I pause, one foot on the curb, already fantasizing about the ice packs in my freezer, the half-full bottle of whiskey in my bedroom.

“I know you’ll never meet Charles, but he’s grateful.” Dee brushes her lips against my wounded cheek, sparking a web of fire that crackles down my neck to my collarbone. “You’ve been a huge help. Thank you.”

“No problem,” I mumble, and exit the vehicle. I wish Dee well as I lurch down the sidewalk, pausing to spit a red gob into a tree-box. Although the stunt torso held up reasonably well to Rick’s rage, the dents in the sternum and left side suggest it has maybe two more jilted-husband jobs before I need to ask my brother for a new one.

It takes so long to walk the block to my place, fumble my keys from my pocket, and let myself into my apartment. In the darkness of my kitchen, I touch my cheek where Dee kissed it, flaring that dulling ache back to a full-on firestorm. I touch it again.
And again. And again. 

Damn, it hurts.

It hurts so good.

"Nick Kolakowski is the author of 'Maxine Unleashes Doomsday,' 'Boise Longpig Hunting Club' and the upcoming 'Rattlesnake Rodeo' (all from Down & Out Books). His short work has appeared in Tough, Shotgun Honey, Plots With Guns, and various anthologies."